![]() k圓E8TK9Hy- NBA on ESPN MaTo see this content please enable targeting cookies. The Beard has arrived, and he's ready for battle with the Thunder. I sensed the potential to get to the bottom of this, to pierce the veil of a great mystery that had somehow survived the ages intact. These are disputatious days we are living through, and I was intrigued. Some people wanted World War 2 again anyway. Some people prefer IIII because it is just so novel. Some people state that IIII is also acceptable - and possibly more accurate in fact. Some people think that IV is the only option. I have read arguments for both sides before I got bored and went off to do something else. IIII or IV? Which should it be? The internet couldn't decide. They don't really look like very much beyond the cow-catcher on an old steam train - but they at least sort of look like Roman numerals. The thing is, though, those IIIIs on Call of Duty don't look like tally marks. Jeez! Some fans apparently leapt into action by suggesting that the IIII does in fact represent tally marks, of the kind you are required to scratch onto the wall of your cell if you are a prisoner in a montage constructed to show the passage of time. Also, nobody mentioned Ice-T on Twitter - I simply needed a second flippant example to make this paragraph work and I chose poorly.) (Okay, so I have just googled this and he didn't call it IV, either. Didn't Activision know that the Roman numerals for four is IV? It's not Star Wars: Episode IIII is it? Ice-T didn't call one of his albums IIII. This last part unleashed, if not a tidal wave, then at least a bracing, frothy surf of Twitter smugness. This week it emerged that the game's logo would be a stylised IIII. Last month Eurogamer reported that the next Call of Duty would be a return to the Black Ops series, making it Black Ops 4.
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![]() Data visualization: What You Need To Know Here we’ve included prose based on visualization history, theory, psychology, and practical implementation as well as intricate graphical presentation tips and a visually stunning coffee table book for inspiration.īut before we delve into our list of books on data visualization, here are some facts and figures for your inspiration. This list is in no particular order, but what we promise you is that these are 20 of the best books on data visualization available today, and you’ll find there’s something for everybody. And while some of them we consider the best books on data visualization, some are really not.īut don’t fret, because we’ve conducted the research and reading on your behalf, refining our findings to create our list of the world’s best 20 data visualization books. That’s a colossal number of books on visualization. Not sure where to start? A mere Amazon search of this topic returns over 15k items. ![]() The field of online data visualization is growing, and whether you’re a data viz expert or just getting started, there is a wide range of books that will help you learn new skills and remain ahead of the pack. Successful visualizations are aesthetically beautiful, providing layers of detail that generate deeper dimensions of insight and whole new layers of understanding. These aesthetically striking portrayals are the most effective way to succinctly translate large segments of complex data to a wide audience. Now that you’re sold on the power of data analytics in addition to data-driven BI, it’s time to take your journey a step further by exploring how to effectively communicate vital metrics and insights in a concise, inspiring, and accessible format through the power of visualization.ĭata visualization, or ‘data viz’ as it’s commonly known, is the graphic presentation of data. Previously, we discussed the top 19 big data books you need to read, followed by our rundown of the world’s top business intelligence books as well as our list of the best SQL books for beginners and intermediates. But often that’s how we present statistics: we just show the notes, we don’t play the music.” - Hans Rosling, Swedish statisticianĭatapine is filling your bookshelf thick and fast. The recordings of the event sessions and presentations are available in the Programme tab.“Most of us need to listen to the music to understand how beautiful it is. The second day highlighted data visualisation as a powerful tool for various purposes, from making complex information accessible in a meaningful way to exploring policy scenarios.ĮU DataViz brought together the open data and data visualisation community, including policymakers, researchers, academia, private entities, students and citizens interested in the power of open data as a factor determining our future. The first day focused on ways to ensure open data is freely available for reuse, which in turn improves transparency and leads to better decision-making and citizen engagement. Held on 23 and 24 November 2021, this free online conference provided the opportunity to share experiences and latest trends in open data and data visualisation. Online from Luxembourg to the world, it was organised by the Publications Office of the European Union as part of the EU Open Data Days. The conference was funded by ISA2 programme of the European Union. EU DataViz 2021 was an international conference on open data and data visualisation addressing the needs of the public sector across the EU. ![]() The tears that young Victor spills over Sparky are genuinely heartfelt, and, for once, Frankenstein doesn't seem like a mad genius - just a young boy who misses his favorite creature in the world.Young scientist Victor Frankenstein lives with his parents and his beloved Bull Terrier dog, Sparky, in the quiet town of New Holland. Frankenweenie is undoubtedly frightening in parts - particularly when the resurrected animals are unleashed onto the town festival - but there's so much humor (a dead pet named "Colussus" turns out to be anything but) and tenderness as well. What's brilliant about Burton is the emotional range his movies portray. For kids and tweens, there's the basic story of a boy who will stop at nothing to get back his best friend for young scary-movie buffs and adults, there are countless references to the horror genre that are seamlessly woven into the story. Both an homage to classic monster movies and a tender relationship drama about the love between a boy and his dog, this is a film that works on so many levels. And the film itself is a homage to this cinema being filmed in black and white and with music in perfect tone by Danny Elfman (Burton's closest collaborator).Īn innate quality of Burton is the skill to create endearing characters out of the dark and grotesque and the best example of it is Sparky, a little dog now part of the most adorable creations on the burtonian universe, and that somehow reflects many of elements or themes that have remained constant in most of Burton's filmography: childhood, loneliness, friendship and a strange fixation with death and what happens after this.Įxcepting the end that seems to betray the original concept, it is safe to say that Burton needs to do more films like Frankenweenie and much less like Alice in Wonderland.įRANKENWEENIE was originally a black-and-white short film that Tim Burton directed and released in 1984, and turning it into a feature-length movie was obviously a labor of love for the director. Cagliari and even classic monsters like Godzilla. Likewise, the relationship between Victor and Elsa, her neighbor and school crush is explored, through which a great reference to The Bride of Frankenstein is made, although it'snot the only one, since along the film there are winks to classic monsters movies from the 30's as the Mummy, Creature from Black Lagoon, Cabinet of Dr. On this occasion the original story remains intact and makes a bigger emphasis on the impact of the resurrection of Sparky among Victor's friends and as they'll try to emulate the feat with catastrophic results for the small town they live in. ![]() It is almost 30 years later and a streak of quite irregular films that Burton returns to his roots and decided to resume the story of Frankenweenie to make an animated feature making use of the stop- motion technique, with which he created some of his best works such as the Nightmare Before Christmas and Corpse Bride, and Frankenweenie is no exception, as it represents a return to the best films of Burton. This work helps us to understand the basics of Burton's thematic and visual style, which became his trademark over the years: dark worlds with isolated and/or solitary characters faced to the reality of the world that confronts or rejects them. In 1984, when Tim Burton worked for Disney made a short film called Frankenweenie, which tells the story of Victor, a boy who after losing his dog Sparky in an accident decides to bring him back to life in the purest Frankenstein style, without considering the consequences this may cause. Frankenweenie or bringing Tim Burton's mojo back from the dead |